Three signs
you’re watching a Shane Black movie: it’s Christmas, there’s a meta voiceover,
and some of the best lines are dispensed by designer-suited henchmen.
Pleasingly, Iron Man 3 ticks every box. Just as Joss Whedon pepped up Avengers
Assemble with his unique brand of jocosity, here, despite the sci-fi trimmings
and goliath budget, it feels like Black’s been given carte blanche by Marvel to
do his thing. It’s Kiss Kiss Bang Bang with a lot of extra bang. And, by some
distance, the Man In The Can’s best solo outing so far.
Together with
co-writer Drew Pearce, Black sets out to dismantle Iron Man’s armour piece by
piece. Like Bond in Skyfall, Tony Stark loses his flash car and big house. He
is also, for a sizeable stretch of the movie, deprived of his super-suits. This
is a new, vulnerable side to the playboy-philanthropist: he’s on the run, in
the corner, pausing between quips to suffer breathless anxiety attacks.
Part of the
problem is PTSD, brought on by his near-fatal tangle with that Chitauri
wormhole in New York. But his more pressing concern is a very bad man who goes
by the monicker The Mandarin. A shadowy, ethnically indeterminate figure with
the didactic menace of Colonel Kurtz and the attack-chopper access of Colonel
Kilgore, this terrorist overlord is regularly forcing his way onto US airwaves
to threaten dire “lessons”. No-one knows his identity, his location or where
he’s buying his extraordinarily nifty video-editing software.
This may all
sound like the fixings for another brooding threequel: The Stark Knight Rises.
Happily, that’s not how it pans out. Keeping the dial firmly on ‘fun?, the film hustles from one set-piece to the next,
leavening the gloom with a lot of big laughs.
As well as the
customary Downey Jr wisecracks, there are sight gags, bits of slapstick,
Downton Abbey references and a genius beat involving a suit of armour turning
its head. The ominous introduction of a boy sidekick in the second act turns
out to yield some of the sparkiest repartee. And Don Cheadle’s Rhodes, a
character who barely made an impression in the other films, is skilfully
tweaked, becoming the amusingly square Murtaugh to Tony’s Riggs. Wait until you
hear his password.
The series’
villains have always been an issue. Thor gets Loki. Captain America gets the
Red Skull. So far, Iron Man has faced a bald Jeff Bridges, Mickey Rourke and a
cockatoo. While this outing is an improvement — credit to Black and Pearce for
creating antagonists who aren’t just more angry blokes in metal suits — it’s
still the film’s weak point. Drawing on the comic-book’s Extremis storyline (a
2005-’06 run by Warren Ellis), Iron Man 3 pits Stark against a squad of
T-1000-like super-soldiers who can regenerate body parts and survive astounding
damage. They’re visually interesting — glowing like human lava lamps as they
try to smelt Tony’s face off — but their motivation is murky and unconvincing.
Far more
successful is the aforementioned Mandarin, who in the Iron Man comics is a
super-powered martial artist with magic rings. While a close-up shot reveals
that his fingers are adorned by rings, there are surprises beneath the
character’s sinister hood which we won’t spoil. Suffice to say that people will
be talking about Ben Kingsley’s performance for ages to come — it’s a tricky,
delicate role, handled beautifully.
Not every
performance hits the mark — scanty screentime for Rebecca Hall, as Tony’s
botanist ex, and Miguel Ferrer, as the Vice-President, suggests the existence
of a longer cut. These are minor niggles, though, in a satisfying blockbuster
that mixes up political conspiracy, sleuth-work, MacGyver-ish DIY weaponisation
and outstanding eye-candy. The Iron Man suits — and there are now 42 of them —
are used ingeniously (watch out for Stark giving himself a literal hand in a
tight spot), not least in the action highlight, the spectacular ‘barrel of
monkeys’ sequence. This sees Air Force One under assault and its passengers
forced to disembark thousands of feet above the Florida coast, not helping what
is proving to be a heinous cinematic summer for POTUS.
As for why the
other Avengers aren’t getting off their invincible butts to help, it’s
explained away, a little unconvincingly, with the line: “This isn’t superhero
business. It’s American business.” Iron Man 3’s greatest achievement is that
they’re not missed.
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